Born in Paris.
Handwoven in Java.
From Paris Nostalgia to Indonesian Heritage
Milou was born from a cross-continental family love story. Growing up surrounded by the quiet elegance of French wicker bistro chairs and warm vintage nursery furniture, our founder moved to Jakarta and fell deeply in love with the extraordinary artisanal tradition of Indonesian rattan weaving. Over time, she carefully selected the makers and suppliers whose quality, craftsmanship and attention to detail matched her vision for Milou while curating and developing pieces alongside local artisans.
In a world of increasingly disposable children's furniture, we felt there was room for something gentler and more soulful : natural materials, thoughtful craftsmanship and pieces made to be cherished, shared between siblings and passed from one generation to the next.
Why Living in Indonesia Changes Everything
When I relocated from Paris to Jakarta with my family in the summer of 2022, I saw a unique opportunity to immerse myself in the world of rattan. With a background in scenography and interior architecture, and years of experience designing spaces across Europe and the Mediterranean, I was immediately drawn to the materialâs versatility, rich heritage, and extraordinary creative potential. In Europe, rattan has long moved in and out of fashion. In Indonesia, I discovered something far more profound: a material deeply rooted in everyday life, shaped by generations of knowledge and craftsmanship. Yet while Indonesian rattan is celebrated in international design showrooms, the remarkable skills and traditions behind it often remain overlooked. I wanted to understand the craft at its source, rather than simply select finished pieces from an export catalogue.
Over the following years, I travelled extensively across Java, visiting dozens of workshops and harvesting cooperatives, meeting weaving families, and working directly with local suppliers. I learned to understand rattan from the raw vine to the finished piece, carefully examining the quality of individual poles, studying traditional weaving techniques, and discovering how the material responds to different treatments and construction methods. Together with my Indonesian partner, Tian Binsar Purba, we translated this knowledge into Milouâs own production standards. From carefully calibrated rattan thicknesses and steam-bent curves to meticulous hand-sanding and the selection of water-based finishes, every detail was considered with children in mind.
My commitment has always extended beyond the furniture itself. I spent countless hours alongside the skilled men and women who bring our designs to life, personally ensuring that their working environments were safe, comfortable, and respectful, that they received fair wages, and that training and support were provided whenever needed.
Through these relationships, I came to appreciate the vital role of weaving villages and the communities whose livelihoods depend on this remarkable craft. Rattan weaving is more than a profession; it is a living cultural heritage, with skills and knowledge passed down through generations. Supporting these communities, respecting their traditions, and helping ensure that their craftsmanship continues to thrive became an essential part of Milouâs philosophy. The knowledge I gained and, above all, the remarkable people I met throughout this journey inspired me to write Woven Worlds, a childrenâs book celebrating the beauty of rattan, the hands that shape it, and the cultural heritage woven into every piece. The story grew from a simple question: How do we pass down stories, culture, and a genuine appreciation for craftsmanship to our children? Through Woven Worlds, I wanted to spark curiosity in little minds about the objects that surround them every day. When children look at the rattan furniture in their rooms, I hope they begin to wonder: Where did it come from? How was it made? Whose hands brought it to life? Because behind every handmade object lies a story worth telling, a tradition worth preserving, and a connection between people and cultures worth celebrating.
đ Years on the Ground
Living in Jakarta since 2022, personally overseeing workshops across Java.
đż Vetted Supplier Network
Direct relationships with wild vine harvesters; Grade A mature solid rattan.
đ Child-Centric Scale
2.5cm calibrated poles, zero-nail steam-bent arches, tip-tested geometry.
đĄď¸ Zero-VOC Certified
European water-based organic lacquers, completely odor-free and mouth-safe.
Every Curve bend by Hand
Every Milou prototype spends a few weeks in refinement. Anna collaborates directly on-site with Javanese master weavers who have practiced their ancestral craft for over thirty years.
How We Differ From Remote Competitors
On-The-Ground Sourcing
We don't buy from third-party export middlemen or select items from overseas catalogs. Our founder personally evaluates the harvest quality in Java, ensuring only dense, mature climbing vine rattan enters production.
Built From The Nursery Up
Competitors often shrink adult furniture, creating unsafe tipping hazards and rough edges. Milou pieces are engineered specifically for infants and toddlers with calibrated proportions, nail-free joints, and triple silk-sanding.
Generational Artisan Partnerships
We treat our weaving partners as co-creators, not disposable labor. Working alongside Javanese artisan families, we ensure fair living wages, healthcare support, safe workshops, and preservation of Indonesia's cultural heritage.
CO-WRITTEN WITH KINDERKLOUD
Woven Worlds
The enchanting story of Antoine from Paris & Aya from Java
"Woven Worlds": Passing Down the Magic of Rattan to Children
My deep exploration of Indonesian rattan didn't end with furniture. It ignited a passionate educational journey: how do we teach our children to appreciate the soul of handcraftsmanship and the natural wonders of Indonesia's rainforests?
Together with KinderKloud â a forward-thinking community of parents and educators in Indonesia â I wrote âWoven Worldsâ. The book tells the story of an epistolary friendship between Antoine, a little boy living in Paris, and Aya, a young girl from a Javanese rattan-weaving family.
Through their letters, young readers discover the journey of sustainable rattan from rainforest canopy to the artisanâs bench, exploring cultural diversity, ecology, and the timeless beauty of objects made with patience and love.